Monthly Archives: October 2015
Some music to scare the trick-or-treaters with, along with a trick or two in the mix.
When I was a kid, I saw this, the strangest, trippiest, outright psychedelic episode of the Spider-Man cartoon, and it quickly became a favorite of mine (which probably explains some things about me) –
It turns out it wasn’t actually a Spider-Man episode… it was a recycled version of Rocket Robin Hood, with Spider-Man painted in place of one main character while the other character was deleted. Essentially one cartoon costumed up as another.
Knowing Ralph Bakshi was involved in both explains much of the trippiness.
Heads are hanging from the garbageman trees as Beck spends Devil’s Night trying to keep his –
“Everything comes back down to Batman, in the end.” – Donal Graeme
It’s dark and will likely be raining tonight, apropos for the night before Halloween.
A sequel was attempted…
..but ultimately not produced.
The phrase “It was a dark and stormy night” comes from the 1830 novel Paul Clifford, written by Sir Edward George Earle Bulwer-Lytton, and was picked up years later by Peanuts cartoonist Charles Schulz, who gave the line to aspiring author Snoopy as part of that decorated WWI Flying Ace’s ongoing efforts to be published.
The novel began thusly –
“It was a dark and stormy night; the rain fell in torrents – except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.”
Sounds like the setting for Gotham. Or a metal video game.
Schulz had Snoopy write out his novel, starting with the famous line and building from there, and can be read it its (short) entirety here.
In 1981, writer Len Wein and artist Walt Simonson did something fun for the 500th issue of Detective Comics, where Batman originated, by doing a remix of sorts of Snoopy’s novel, presented in its (also short) entirety above.
Somewhere along the line, Charles Schulz did a drawing for DC Comics artist Carmine Infantino, who drew Batman in the 60s –
I can make no sense of this –
Now I get it … he’s dressed up for Halloween as Weird Al. Ding dong, yo.
There’s more needing feminism here, but my favorite is this one –
I can’t tell if that’s for real or a truth bomb costumed as Progressivist BuzzwordThink. Or maybe just a troll.
H/T to Goodbye America
Going back to the early 80s to unearth an MTV staple of the day – Chris DeBurgh’s “Don’t Pay The Ferryman,” a vaguely spookish song with allusions to Charon about a man crossing the water who is warned by mysterious voices not to pay that vulgar boatman.
And now a brief word from our sponsor –
Full demented episode here.
Sorry, no Lizard or Spock.
As Charlie Brown says every Halloween, “I’ve got to rock!” So here’s the “Peanuts” theme as interpreted in rock style by Pat Travers.
Rock, Paper, Scissors, Linus, Smiths
Peanuts and music have a long history together, as this station has show in in the past, primarily with 80s British bands. Now someone has gone and created a Tumblr called This Charming Charlie, combining the subtextual angst Peanuts comics with the hyperdepressive lyrics of The Smiths, creating a singularity of suicidal bleakness, speaking to all of us through it’s universal symbolism of nihilsm.
Hilarious, is it not? In a bleak, anti-depressant sort of way.
Yes, well. But at least it’s borrowing from one of the finest bands to ever stride across the Earth, and this station is proud to bring it to you. We hope you appreciate it.
So where do you go to find pop hits from the last several decades covered in the style of swing and jazz standards from a bygone era? Postmodern Jukebox has that niche, uh, covered.
For example, check out this vintage jazz cover of “Lovefool” by the Cardigans –
I don’t know about you, but I’ve waited 25 years for an “Old Jack Swing” cover of New Jack Swing stylists Bell Biv Devoe –
Electronic Dance Music song “Lean On” done in the style of 70s Stevie Wonder? They got that –
…and it’s good. Far better than the original.
It might seem a bit naive to attempt covering a Talking Heads melody in vintage 40s swing style, but I guess they must be having fun. I liked it.
I have to wonder what urban, cosmopolitan feminist-y types think of PMJ’s cover of “Blurred Lines” – all the alleged rapiness with that bluegrass sound that makes the Tumblrinas teeth grind. Bonus points for a woman singing it. [Extra double bonus: listen to it at 1.25 x normal speed]
There’s also an instrumental keyboard mashup deep in the archives titled “Call Me Al, Maybe.”
This is how they remind me of how they polished an unpolishable turd with some Motown sound –
Lastly, one that sort of fits their bailiwick even before they covered it… I always liked this Fiona Apple song, but this cover suits it perfectly. Fiona should have done an alternate version in this style, because she was born sing in this style –
Thanks to my wife for discovering this.
Amazon Prime is promoting Back To The Future Day all over their site, with a huge banner video on top of the pages, and streaming all 3 movies for free. I decided to watch Back To The Future II, partly because I have only seen it a couple times (less than the third, and far less than the first), and because it’s the movie which centers around today’s date.
A few random thoughts…
Alternate 1985 Biff looks strikingly like Donald Trump.
I forgot how good some of the special effects were. Absolutely outstanding for the, uh, time.
Doc’s shades. Metal awesomeness.
I want to hang out at the 80s Cafe.