Category Archives: Film
And the Christmas bells that ring there
Are the clanging chimes of doom
Well tonight thank God it’s them
Instead of you
I’m sure most of you remember this song, the one that kicked off years of “Something-or-other-Aid” singles and concerts…
Apparently that song has not, uh, lived out its lifespan just yet. Totally swiped from Ace Of Spades HQ –
Supposedly — this sounds made-up to me, but whatever, supposedly — someone’s making a movie called Do They Know It’s Murder?
The premise is this: at the recording of Band Aid’s charity single “Do They Know It’s Christmas?, a fellow Brit rocker (or hanger-on) is murdered.
To make sure the single is finished without incident, Bob Geldof must suddenly put his detective skills to use — you know, I guess maybe he actually solved the case of the girl who shot up the school in I Hate Mondays or some bullshit — and find the killer before they lose the studio space.
If that’s real, I’ll totally see it.
If that’s a punking — well played.
To quote birthmoviesdeath.com –
We need to make peace with the fact that this film will most likely have an entire ensemble of actors made-up to look like ‘80s Brit pop stars. Oh, and one of those recognizable ’80s musicians is getting murdered?
Folks, I give you my most anticipated film of the decade.
I have no idea if this is real. But if this hellspawned monstrosity of awful tastelessness and wrecking-not-very-cherished-song-memories-from-the-80s is real, they have my ticket money.
I have seen a lot of weird movies/comics/music videos/what-have-you. Stuff made on weapons-grade drugs. Grant Morrison’s Doom Patrol. Die Antwoord. The criminally terrible After Last Season. But I can honestly say that this has blown it out bigger and madder than almost anything I’ve ever seen before.
It’s so insane that the video can’t be played outside of its native YouTube.
I have NO idea what’s going on in the second sequence, but I want to see that movie. The guy on the plane like some kind of inverted hood ornament looks like it might be some kind of Flash-inspired thing. And the catapults….
Bollywood kills it. Hollywood isn’t producing anything anywhere near this imaginative and insane. Someone get these guys to Hollywood with an unlimited budget.
They Might Be Giants goes to the movies… [kinda NSFW, a little]
I’ve never actually seen the movie, outside of a short bit here or there. I’m thinking that needs correction.
Amazon Prime is promoting Back To The Future Day all over their site, with a huge banner video on top of the pages, and streaming all 3 movies for free. I decided to watch Back To The Future II, partly because I have only seen it a couple times (less than the third, and far less than the first), and because it’s the movie which centers around today’s date.
A few random thoughts…
Alternate 1985 Biff looks strikingly like Donald Trump.
I forgot how good some of the special effects were. Absolutely outstanding for the, uh, time.
Doc’s shades. Metal awesomeness.
I want to hang out at the 80s Cafe.
Henry Mancini performs the legendary “Peter Gunn Theme” on the Steve Allen show circa 1983 or thereabouts, with friends Pete Candoli, Conte Candoli, Carl Fontana, Jerome Richardson, and Plas Johnson –
The iconic theme has inspired, been used, or been covered by… just about everybody, from The B-52s, to a Monty Python sketch, to a just-fooling-around Monkees version to a rather flat cover by Emerson, Lake, and Palmer. I expect much hate mail from prog-rock fans, but it’s really not that great a cover. Deal with it.
There was also a beyond lame rap duo called Lord Tariq & Peter Gunz, who had one hit with the atrocious “Deja Vu (Uptown Baby).” The less said, the better, except to note that they broke up after releasing exactly one single from one album. Reportedly they surrendered large amounts of money to Steely Dan for sampling their song “Black Cow” without permission. One wonders if the events are related.
Art Of Noise did their version of the song in their own very 80s performance-art style, complete with video –
I remember it being on the radio quite a lot back then, during the Golden Age of Popular Music.
We saw the movie today. John C. Wright discusses it here, in depth and excellently, but DO NOT read it unless you have seen the movie. In Wright’s own words –
…And here I must draw a line and ask no one to step across it who has not seen the film. My main problem is that, for me, the movie worked on so many levels, as hard SF, as pure storytelling, as religious allegory, I don’t know what to say without spoiling it for the virgin viewer.
So there are spoilers in the following column, and these will diminish your enjoyment of this masterpiece going in, I assure you. Only readers who have already seen the film are allowed to read further.
Go see it. I cannot, can NOT, recommend it highly enough.