Monthly Archives: July 2017

71717

A palindromic date after a week of palindromic dates, and still a couple days to go. Next year it will happen for ten days in August.

‘Tis a fine blue sky on a Monday here. Which is a hopeless segue into the song “Blue Monday” by New Order. If you don’t know the song (and unless you’re under the age of 20, how couldn’t you? Did your parents hate good music?), give it a listen.

It was redone a few years later, sounding a bit different and released at “Blue Monday 88” (another palindromic number, if only just barely),* which also garnered much airplay.

Taking it to an ultra-blue level, Orkestra Obsolete has covered the song in retro style using only 1930s instruments.

Jazzy, in an art-deco-on-acid kind of way.

  • 1988, or “88,” is an unusual number, given that 1+9+8+8=26 and 2+6=8. And the 8s are sideways Infinity symbols. No, there’s no point to this information.

 

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Saturday Night Studio Bonus – City Pop Summer Edition

80s City Pop for long hot days on the beach, skating down the boulevard under a blue sky, and driving into the sunset on an infinite highway…

City Pop Summer Edition just dropped. It is most excellent.

 

Playlist posted by Van Paugam. He’s done a number of other City Pop collections, give them a listen.

♪ Track List (with associated anime clips):
♪OFF SHORE – 角松敏生Toshiki Kadomatsu (0:00) Waves gif from Neon Genesis Evangelion followed by Maron from Dragon Ball Z”
♪土曜の夜はパラダイス – エポEPO (5:11) “?”
♪RIDE ON TIME – 山下達郎Tatsuro Yamashita (9:18) “City Hunter”
♪HIGHWAY OF THE SUN – パイパーPiper (14:46) “Creamy Mami”
♪Dancing Tonight – 国分友里恵Yurie Kokubo (19:06) “Akira”
♪Streets Are Hot – 藤原美穂Miho Fujiwara (22:04) “Megazone 23”
♪Paradise Island – 中原めいこMeiko Nakahara (25:50) “Bubblegum Crisis”
♪Sky High – 松原正樹Masaki Matsubara (30:37) “Dragon Ball Z”
♪TRANSIT IN SUMMER – 杉山清貴&オメガトライブKiyotaka Sugiyama & Omega Tribe (34:10) “?”
♪そよ風のエアメール – 石川秀美Hidemi Ishikawa (38:26)
♪DEAR BREEZE – 杉山清貴&オメガトライブKiyotaka Sugiyama & Omega Tribe (42:42) “?”
♪Summer Connection – 大貫妙子Taeko Onuki (46:35) “Cowboy Bebop”
♪あこがれのSundown – 桑名晴子Haruko Kuwana (51:00) “Sailor Moon”

Saturday Night Studio – Joe Jackson

So I saw a headline that said Joe Jackson is recovering from a car accident. Turns out it’s not the Joe Jackson I was thinking of, but rather, Michael Jackson’s dad.

Well, glad he’s ok and all that, but who cares? Of much greater interest is the pianist Joe Jackson.

He released his first single in 1978, titled “Is She Really Going Out With Him?” I’m sure every guy has been able to relate to that at least once in his life.

A fun live version from 1980 can be heard here.

When asked about the origins of the song, Jackson stated –

Now, that is just one of those songs that started with the title. I heard that phrase somewhere and I thought that could be a kind of funny song about gorgeous girls going out with monsters. It just started from there. It was just a funny song, or supposed to be funny. It was a great surprise to me when some people interpreted it as being angry.

The full interview is worth reading, and can be found here, which ranges from his tribute album to Duke Ellington to the pointlessness of restricting 16 oz. sodas.

Another well known Jackson song is “You Can’t Get What You Want (Til You Know What You Want) –

Rumor has it that he recorded the song because record contracts at the time stipulated every artist must record at lease one song with Rock Parentheses in the title.

Jackson was touring as recently as last year. This isn’t the best sound quality, but it’s still pretty good.

The first song of his I ever recall hearing back in the early 80s – and one of the earliest music videos I ever saw – was “Steppin’ Out,” which is undisputably a timeless classic. It was on the radio constantly back then. You can’t listen to this song and not want to go out for a night on the town in style. The video is absolutely pitch perfect, allowing anyone to see their story reflected in it.

In this age of sampled, looped, AutoTuned empty beats, not only doesn’t anyone make music like that anymore, I’m not sure anyone even tries.