Blog Archives

Paled Shelter [Porter Robinson Remix]

“Shelter” is a short video by Porter Robinson, with music by Robinson and Madeon. As Robinson describes it –

Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.

It’s pretty cool. I liked it.

I was told about the video in the fall of 2017, and I thought it was good. But something kept sticking in my mind.

Soon after, I took that idea that wouldn’t stop and made a new version of the video.* I replaced the audio with a classic song, and the lyrics fit the theme very well. Better than I thought they would.

This came out pretty well. What really struck me is how well the music synced up with the video. The lyrics even more so. It’s almost like the song was written for the film.

Something else to notice. Here’s the original Tears For Fears video. In both videos, at the same point in the song (3:09 in my video, 2:13 in the TFF video, but both are the same point in the audio), the characters go for a walk in the trees. Coincidence, but a cool one.

Also note that around 3:51 in the Tears For Fears video, poor Roland takes a paper airplane right to the eye. Great song and video, though.

*And then life interfered and I forgot about the video for a long time. So here it is, 9 years later.

Random Static 4-24-2024

Just some random things I’ve wondered about.

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Pretty much everyone knows what “sampling” is in music, defined as “the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a sound recording in a different song or piece.”

Sampling has gotten ridiculous, to the point where people have sampled a sample, not knowing the piece of music they are sampling was first sampled from an even older song, and so on and so on.

Some songs will have multiple samples in a single track, sometimes a ludicrous number of them.

Some time ago, it occurred to me that perhaps one reason for all the excessive sampling in the music business is that it provides a perfectly byzantine means to launder money.

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From “Everything Is Political Now” Dept. –

Sky & Telescope tells us the correct way to remember space acronyms.

Today’s classification scheme was born at Harvard College Observatory. Starting in 1886 under Edward C. Pickering, the observatory staff photographed and classified thousands of spectral types. They assigned them letters from A through Q, generally in alphabetical order from the simplest-looking to the most complex. But soon a more natural system became clear. By rearranging and merging classifications, Antonia C. Maury and Annie J. Cannon found that they could fit nearly all stars’ spectra into one smooth, continuous sequence. The sequence matched the stars’ color temperatures, from the hottest, blue-white stars at one end to relatively cool, orange-red ones at the other.

But it was too late to reassign the letters. When the dust cleared, the rearranged sequence ran O B A F G K M from hot to cool. Spectral types on the blue end were called “early” and those on the red end “late.” These terms are still used today, though the incorrect idea they embody — that stars simply cool with age — has been obsolete for generations.

…The time-honored mnemonic for remembering the spectral sequence, invented by Henry Norris Russell when astronomy’s leadership was all male, is “Oh Be A Fine Girl Kiss Me.” In 1995 Mercury magazine published a student’s rejoinder: “Only Boys Accepting Feminism Get Kissed Meaningfully.”

Even astronomy is feminist now.

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I refuse to refer to “the pandemic” because it was no such thing.

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Some languages place the descriptor before the object, such as “black cat” or “speeding car.” Other languages place the object before the descriptor. I wonder how this affects thought processes. Does one way lean more toward abstract thought and the other toward more concrete thought? Does language influence one’s thought processes, or do the processes determine the type of language? Some of both in a reinforcement loop?

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This is an interesting month for numbers. April 2 2024 is 2/4/24 or 2424. April 14 is 04/14/24, a nice numerical progression. April 22 is 4/22/24, or 42224. Today is April 24 2024 which s 4/24/24, or 42424.

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I got nothin’ else right now.

A.I.rtist

So I was watching a few music videos on youtube when I saw a video in the sidebar – “The Electric Prunes: I Had Too Much to Dream (an AI interpretation).” Given the song, I thought it would be perfect subject for AI to try making a video.

Pretty wild, as expected. The camera motion panning across scenes was unexpected, but worked fairly well, and the slight dissonance in perspective actually worked with this song, with its psychedelic feel. It was uploaded a month ago, so I figured it’s fairly cutting edge, as these things go.

I went to the channel to see what other videos were there. The next one I checked out was “Dreamboat Annie” by Heart.

The video was pretty good, although now some limitations were becoming apparent. Certain repetitions tend to appear. But it worked pretty well, and had a a feel to it that went from warm and sunny and ethereal to a hard-edged city setting and back again.

Then I saw “Baker Street” by Gerry Rafferty. This should be fun, I thought. I love the song but the subject matter is very down-to-earth and mundane, how would an AI that has been producing trippy visuals process this?

Awesomely, is how.

The video moves from ultra-detailed city scenes to snapshots of people living their lives to cosmic vistas of time passing and back again. And it’s animated. Or some of it is, anyway. There are people walking and musicians playing in real time… or as real as time gets in an AI-generated video. Somewhat stiff and rigid, but considering it’s all machine-created, quite stunning.

The editing is somewhat choppy, but it’s still a compelling vision, and it smooths out as the video goes along. The sax players are vivid and colorful but still recognizably human. The guitar solo could have been handled better, but that’s a small complaint.

How much of this is the machine doing its thing and how much is due to human editing, or even from human-generated prompts, I have no idea. But it’s still extremely impressive. It was uploaded 7 days ago (August 7), and is a leap over the “Dreamboat Annie” video, which was posted 12 days ago.

The sad part is, these are better than most videos I’ve seen in years.

KIRINJI – 薄明 feat. Maika Loubté

A new Kirinji album dropped, and the single  薄明 (I think it means “Twilight?”) sounds really good.

S A L A R Y W A V E

On Saturday night when salaryman is finished with sixth-day mandatory overtime.

Title comes from a comment on the video, which summed up the song and video perfectly.

Only In 2020

Nuclear Power Trio, “A Clear And Present Rager’

2019

2019 has been….. quite a year. To close out quite a decade!

Black Friday Radio 2019

Extreme Black Friday with, not just a song, but an entire concert of Steely Dan. “Black Friday” starts at 43:35

 

“I’m buggin’ out!” Wonder what’s in that Coke can? It sure seemed to have changed the texture of his night.

Stereolab Rematerialize 2019

Stereolab is back and touring, as the groop plays Chord X again after ten years.

A recent concert from Chicago’s Union Park, about 40 minutes in length –

 

Music Kills The Planet

Seriously, and for realz

Storing and processing music in the cloud depends on vast data centers that use a tremendous amount of resources and energy.

Devine translated plastic productions and the electricity use to store and transmit digital audio files into greenhouse gas equivalents (GHGs). He then compared the GHGs from recorded music in the US in 1977, 1988, 2000 and 2016.

The findings are clear. The GHGs caused by recorded music are much higher today than in the past. In 1977 the GHGs from, recorded music were 140 million kg. By 2016, they were estimated to somewhere between 200 million kg and over 350 million kg.

“I am a bit surprised. The hidden environmental cost of music consumption is enormous,” Devine says.

Even worse than the “bovine methane emissions” aka cow farts. You can’t really blame the cows for cow-ing. But I guess if you’re gonna have a planet-scale brown note, it might as well be a D-major.

Let’s add to the worldwide suicide note (heh) with a song that gleans a bit of insight as to how progressives arrive at their conclusions (hint: it involves some atmospheric emissions of their own, and I’m not talkin’ the C02 kind), as performed by some young fellows who tragically died in a different kind bovine emission-related incident.