Category Archives: ♫ ♪ ♫
Music
Saturday Night Studio – Postmodern Jukebox
So where do you go to find pop hits from the last several decades covered in the style of swing and jazz standards from a bygone era? Postmodern Jukebox has that niche, uh, covered.
For example, check out this vintage jazz cover of “Lovefool” by the Cardigans –
I don’t know about you, but I’ve waited 25 years for an “Old Jack Swing” cover of New Jack Swing stylists Bell Biv Devoe –
Electronic Dance Music song “Lean On” done in the style of 70s Stevie Wonder? They got that –
…and it’s good. Far better than the original.
It might seem a bit naive to attempt covering a Talking Heads melody in vintage 40s swing style, but I guess they must be having fun. I liked it.
I have to wonder what urban, cosmopolitan feminist-y types think of PMJ’s cover of “Blurred Lines” – all the alleged rapiness with that bluegrass sound that makes the Tumblrinas teeth grind. Bonus points for a woman singing it. [Extra double bonus: listen to it at 1.25 x normal speed]
There’s also an instrumental keyboard mashup deep in the archives titled “Call Me Al, Maybe.”
This is how they remind me of how they polished an unpolishable turd with some Motown sound –
Lastly, one that sort of fits their bailiwick even before they covered it… I always liked this Fiona Apple song, but this cover suits it perfectly. Fiona should have done an alternate version in this style, because she was born sing in this style –
Thanks to my wife for discovering this.
Rocktober – Tubular Chocolate
The song “Tubular Bells” was quite popular when I was a kid. I remember it popping up all over the place, including TV commercials. It had a strange, vaguely nightmare-like vibe to it that made even mundane boring stuff seem a little creepy. I’m not sure, but I think even science fiction magazine Omni used the song in a TV ad, which definitely added to its mystique.
It was released in May 1973, and later that year was used in the movie The Exorcist. Fitting, given the eerie feel of the song. It seemed like a perfect song for a horror film. Or perhaps for Halloween time.
In 1978, the movie Halloween came out, with a sort-of-but-not-quite similar soundtrack –
Not the same song, but there’s some definite overlap.
However, a more recent (and some would say scary) song has commonalities with “Tubular Bells,” If you listen closely –
The connection occurred to me several days ago, and I thought someone should make a mashup of the two and post it on YouTube.
Apparently I am not the first to notice this, since I found this about 5 minutes ago –
Double Bonus Sakamoto Night Studio – Akiko Yano
J-Pop night’s unexpected (even by me) surprise encore does science! and research.
So this post about Vanilla Mood earlier tonight included the song “Harusaki Kobeni,” which is a rather poppy song. At the time, I did a quick youtube search to find the original by Akiko Yano but had no idea what I was reading since all results came back in Japanese, and I’m too lazy an internationally famous nighttime DJ like myself doesn’t have time to mess with that sort of thing.
Enter wdydfae, who commented –
The song apparently goes back to the early 80s and was sung by Akiko Yano, backed by none other than Yellow Magic Orchestra, the milestone techno fusion band. It was quite a thing at the time.
During his research he discovered a post about the song on a site called Kayo Kyoku Plus, which explains that the song is about “enthusiastically admiring the cherry blossoms.” Enthusiastic is an understatement.. the song is so ferociously upbeat it makes last week’s relentlessly cheery songs seem like dirges –
The song was such a hit that it was used in a commercial for Kanebo Cosmetics –
So very 1981.
The writer of the KKP site relates an apocryphal story…
I found out a rather interesting piece of trivia that I’m still not totally convinced about. Yano has had professional relationships with a wide variety of Western artists ranging from Janis Siegel of The Manhattan Transfer to Thomas Dolby.There is the famous line in Dolby’s biggest hit, “She Blinded Me With Science” in which he sings, “Good heavens, Miss Sakamoto! You’re beautiful!”Apparently, Yano had been observing the recording of the song, and Dolby was referring to her, since she had been married to YMO’s Ryuichi Sakamoto(坂本龍一) at the time. This is according to J-Wiki, but at another site, Miss Sakamoto is supposed to refer to their daughter, Miyu(美雨), who is now also a musician but was only around 1 year old when “Science”came out. Not sure if this is true or not…just throwing it out there.
http://www.dailymotion.com/video/x11lvw_thomas-dolby-she-blinded-me-with-sc_music#tab_embed
Studio Bonus – Saturday Night Shodan
Bonus Studio on what seems to be turning into J-Pop night. Sort of.
From The Weekly Constitutional –
If you are anything like me, you have more than once found yourself sitting alone in your room listening to Steely Dan cover bands while lamenting:
“If only a group of chinamen would form a group devoted to doing spot on covers (except for the accent) of the Steely Dan classics…”
Well friends, your wait is over… Coming at you from Japan, here’s Steely Shodan…
Rather surreal hearing him sing “the shine in your Japan, the sparkle in your China.”
Here’s their version of “Kid Charlemagne” –
Donald Fagen of Steely Dan hears them for the first time –
And here’s some balls-out awesome –
No flies on them.
The band is a near perfect replica with a slight Japanese twist, and the singer looks like a streets-of-Chiba pimp or one of the gangsters in Black Rain, making him perfect for the, uh, less than cheery lyrics that Walt and Don are notorious for. It’s like Steely Dan crossed with Blade Runner.
Saturday Night Studio – Vanilla Mood
I first discovered this band 5 or 6 years ago. Then forgot about them.
“Day By Day” with Yui on violin, Mariko on cello, Waka on flute, and Keiko on piano, although Emilee has apparently sat in for Waka at times.
It’s a catchy enough tune, kinda reminds me of the Corrs a little.
They did some more classical sounding pieces like this and this, and did a cover of Volare because apparently any non-rock band is required to play it, much like how federal law required all West Coast 70s bands to have Michael McDonald sing backup vocals on at least one track per album. Beatles covers work much the same way.
These pretty women* also included Roy Orbison in their cover catalog…
https://youtu.be/pO63X23PgJE?list=PL344143C0314BE91C
This one sounds like the intro to some late 60s/early 70s comedy-variety show –
And speaking of late 60s/early 70s American television –
* Hey, I don’t write the show, I just use what the program director gives me.
Rocktober Request Line
I’m the DJ, Nightsky
Hello Baton Rouge
Won’t you turn your radio down
Respect the seven second delay we use
Internet station NSR with jazz and conversation, here til the sun comes through the skylight. Call in with Rocktober song requests or to discuss why you’re for tougher legislation.
While we wait for your calls to come in, here’s a classic uplifting song about the Disc Jockey profession –
…. it seems someone let the manager into the DJ booth again. Let’s try that again….
Rocktober – 1st Friday
Friday Night, 12:30 pm EST. Rocktober’s Friday night Videos is back –
… and begins counting down to Halloween with a request from the DJ’s wife, Rob Zombie’s Dragula!
Bonus from that great american band –
Got a request? Drop it here.
Saturday Night Studio – Battle Of The Happy Cheery Theme Songs
NSR: “Got any ideas for a Saturday Night Studio post?”
Mrs. NSR: “How about some relentlessly cheerful anime openings?”
NSR: “…….”
NSR: “Sure, why not”?
Have some unrelenting upbeatedness!
Azumange Daioh
Jinrui wa Suitai Shimashita
Eureka Seven Opening
One that I recall from when I was a kid (before they called it “anime”)…
Battle Of The Planets!
Saturday Night Studio – Xylophoning It In
….because when one thinks of rock music, one immediately thinks of \m/ xylophone \m/ !
[If flashing or flickering lights affect you negatively, don’t click some of these videos]
Xylophone has a somewhat obscure history with popular music, but it’s been quite a number of songs, especially in the 80s. Tears for Fears used it to good effect in their song “Change” –
Dig those crazy dance moves during the bridge. So 80s.
The Thompson Twins were known for skilled percussion work by Alannah Currie, including some understated xylophone in “Hold Me Now” –
They had a string of hits in the mid-80s, then just sort of disappeared. Wonder whatever happened to them?*
Rumors on the street claim that Lisa Lisa & The Cult Jam snuck some xylophone into their hit song “Lost In Emotion,” but rock scientists have been unable to confirm this conclusively.
Bananarama dabbled with Xylophone in their song “Cruel Summer” –
Cops chasing the band to no avail, only to end up dancing in the streets with said band… a defining characteristic of 80s videos.
[Yes, yes, I know summer is pretty much over, and what month it is. Have some September with amusing xylophone and a gleefully abused puppet.]
Xylophone has made it into some more recent songs, such as the Pomplamoose song I cleverly snuck in above, as well as a relatively recent hit by Gotye [Warning: skinny dude who doesn’t like pants. but hey, it’s got Kimbra]. Specialists are still trying to figure out how to pronounce “Gotye” but many agree it has nothing to do with an exuberant affinity for goats.
At the end of the day, however, it appears that the all-time king hell middle-finger-to-the-world winner of rock xylophone is this classic –
Such nice, undisturbed fellows.
_______________________________
According to this 2004 piece by Ace Of Spades HQ, Thompson Twinner Joe Leeway later developed an interest in politics and/or economics…
Saturday Night Studio – While My [Insert Instrument Here] Gently Weeps
One of the best-known songs by the Beatles is “While My Guitar Gently Weeps,” written by George Harrison. It’s a rarity among Beatles songs in that an outsider, Eric Clapton, played lead guitar.
It’s incredibly famous, widely revered, held in high regard by the most respected and accomplished musicians and songwriters. Which is very nice, but I don’t really care. I’m pretty lukewarm about the song.
However, it’s also been covered a number of times, and this is where it gets interesting. Most Beatles covers are adequate at best and pathetic at worst. Consider the song “Tomorrow Never Knows” – how does one make an insane acid trip like that boring? Yet many have tried, with Beatle-envying wannabes Oasis taking their best shot at murdering it.
WMGGW has its share of lame covers, I’m sure, but once you start switching out the guitar for other instruments, say, the ukulele, things start to happen…
Who woulda thought a uke could rip like that?
Then we come to that ultimate 80s musical instrument, the keytar (mixed with visuals from MS Paint Adventures, for no reason discernible to me, but kinda fun anyway) –
Everybody else go home. Especially those Oasis twits. Victorious Moment indeed.
