Extreme Black Friday with, not just a song, but an entire concert of Steely Dan. “Black Friday” starts at 43:35
“I’m buggin’ out!” Wonder what’s in that Coke can? It sure seemed to have changed the texture of his night.
Stereolab is back and touring, as the groop plays Chord X again after ten years.
A recent concert from Chicago’s Union Park, about 40 minutes in length –
H/T Ace of Spades HQ –
Storing and processing music in the cloud depends on vast data centers that use a tremendous amount of resources and energy.
Devine translated plastic productions and the electricity use to store and transmit digital audio files into greenhouse gas equivalents (GHGs). He then compared the GHGs from recorded music in the US in 1977, 1988, 2000 and 2016.
The findings are clear. The GHGs caused by recorded music are much higher today than in the past. In 1977 the GHGs from, recorded music were 140 million kg. By 2016, they were estimated to somewhere between 200 million kg and over 350 million kg.
“I am a bit surprised. The hidden environmental cost of music consumption is enormous,” Devine says.
Even worse than the “bovine methane emissions” aka cow farts. You can’t really blame the cows for cow-ing. But I guess if you’re gonna have a planet-scale brown note, it might as well be a D-major.
Let’s add to the worldwide suicide note (heh) with a song that gleans a bit of insight as to how progressives arrive at their conclusions (hint: it involves some atmospheric emissions of their own, and I’m not talkin’ the C02 kind), as performed by some young fellows who tragically died in a different kind bovine emission-related incident.
Peter Tork of the Monkees passed away. His 77th birthday was just eight days ago.
The Monkees was one of the first musical acts I was ever aware of, watching reruns of the TV show as a kid. I saw them in concert in the 80s when MTV ran a Monkees Marathon, sparking a revival of the band. Apparently, I was not alone. There were a lot of people who were high-school age like I was at the show.
At first, the band was not allowed to write or perform their own music, but Peter managed to get a minor part on one or two early songs. When the band was allowed to contribute, Peter scored a bit of a coup with the song “For Pete’s Sake.” The song was used for the end credits of the show in season 2.
RIP Peter Tork.
American Digest asks the question– “The Japanese: Nuked Too Much Or Not Enough?”
As the Digest put it, “Lots of dancing, singing, video games and the selling of noodles. Complete with a Surfing Tommy Lee Jones working for a BIG payday at 3:16.”
So, nuked too much or not enough? The answer is “Yes.”
It wasn’t nuclear radiation that affected them. Rather, it was radioactive exposure to the West, which left their physiology and intellect intact, but severely mutated them on a cultural level. They’re still Japanese, but with a strangely and deeply warped American element mixed in.
Still, they seem happy with it, and I find it highly entertaining.
Double 19 requires two “19” songs.
That song was all over MTV in the mid-80’s. I believe it got a fair amount of radio play as well.
Interesting story behind the making of the song –
You probably knew this one was coming. Another big radio hit –